Are Paintings Alive?
At some point in the painting process, the painting takes over and exerts its own energy. It has become something in and of itself. What might that mean? My paintings might be ‘alive’ – alive… Are Paintings Alive?
At some point in the painting process, the painting takes over and exerts its own energy. It has become something in and of itself. What might that mean? My paintings might be ‘alive’ – alive… Are Paintings Alive?
Much guidance on abstract art focuses on what I call ‘the inner game of art’, that abstraction is done through internal reflection alone. That is, though, as true as using the external world of our… Liberation through abstraction
Abstraction is a liberation from the strictures that can bind our lives as lived. Many people take art classes and when looking at what they have done, feel undernourished, incomplete, frustrated, or worse. Indeed, by… The violence of abstraction
Paint ‘in the moment’, simply see what would happen if…, if you did this and then that. Painting in the ‘here and now’ or ‘in the moment’ does not mean that I am being careless.… Paint in the ‘here and now’
You do not need to be able to draw to be creative. This is one of the great lies of art, that it always begins with drawing, sketching. Many people take life classes, drawing the… Can’t draw?
The EDF nuclear power station in Dungeness in Kent, UK may be an exotic place to visit, but it made for an excellent exhibition space. Myself along with other artists from Ashford Visual Artists exhibited… Elemental, an exhibition
My solo exhibition, Chromophilia, was held at the Evegate Art Gallery from 3 to 24 December 2016. Works are on paper and wood. The gallery is open from 1000 to 1500 Monday to Saturday (but… Chromophilia
Departing from my usual commentary on arts subjects, I would like to let folks know that I have been accepted into the 2016-17 Turps Art School Correspondence Course. This will be a challenging opportunity and… Turps Art School 2016-2017
Marion Milner, a celebrated child psychoanalyst wrote of her own creative anxieties in her book On Not Being Able to Paint (Heineman, 1950, but still available). Fear is embedded in much of the writing on… 20 Seconds to overcome fear
“Hinge-point: the social media and technology revolution in the art world” Originally published in Art of England, Issue 65, 2010. Reproduced with permission. Recently, I went to an exhibit of a friend, who with colleagues,… Hinge-point: the social media and technology revolution in the art world